Drömmar och havreflarn

Drömmar / Dreams, the Swedish version of sugee / shortbread cookies. On the side, chocolate truffles and a glass of chocolate-coffee yoghurt parfait.
Text & Photo © JE Nilsson & CM Cordeiro 2020

Shortbread is one of my mother’s favourite cookies. Growing up in Singapore, you could find the Singapore version called sugee cookies in the smaller covenience stores in the neighbourhood heartlands. They were sold in plastic cookie jars and you could buy one for about ten cents a piece. From the 1980s onwards, as Singapore developed, the smaller convenience stores gave way to larger grocery stores. Favourite places of mine to visit, food shops and streets changed. Available consumption developed too, the shortbread consumer market segmented and grew more sophisticated. You could now find luxury versions of shortbread, as well as neighbourhood heartland versions.

For a few years after I had left Singapore in the early 2000s to live in Scandinavia and upon my return trips, I found it increasingly difficult to find heartland neighbourhood baked sugee cookies. There was of course Bengawan Solo sugee cookies, but there were some variations I felt I missed. One afternoon, my mother thought it nice to roam Chinatown. She wanted to buy some cotton threads with which she could crochet a new blouse. As we walked the inner alleys and streets of Chinatown Singapore, I chanced upon a shop that sold traditional, old school biscuits. I identified the biscuit tins immediately and could not help but pull my mother inside the shop with me in swift motion.

“Mommy! Look!” I cried, “They have these traditional biscuit tins!” I was excited and beyond disbelief. It’s been some years since I even laid eyes on such biscuit tins! My mother smiled and nodded. “I haven’t seen these in the longest time – what, since I was a child?” I said, exploring the biscuit tins that seemed to stand from floor to shophouse ceiling of the shop. The biscuit tins were designed each with a see-through panel on the front, so that you could always tell exactly which type of biscuit it housed.

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Tembok-tembok

Partial ingredients to a ground spice paste (rempah), commonly used in Nonya cooking in Singapore.
Text & Photo © JE Nilsson & CM Cordeiro 2020

“Suzie! Come in here! I want you to watch, we’re going to do the rempah for buah keluak so next time you know how to do for yourself!”

Susan’s mother, Li, waited for a response from her daughter. Not a sound from little Suzie. Li glanced sideways at her own mother, Cecilia, who already head a firm grip of hand on the batu lesung. Cecilia called the stone mortar and pestle tembok-tembok, so named because of the material, but also the empty hollow of the sound made when using the stone mortar and pestle. Once, a housing and development board (HDB) surveyor visited Cecilia in her newly built Queenstown 2-bedroom apartment. The train track ran just behind that block between Malaysia and Keppel Road Railway Station in Singapore [1]. The surveyor wanted to know if Cecilia and family were doing well, and if it was overly disturbing with the noise whenever the train passed, “So Aunty, how is it you find living in this new block? Is the train very noisy and disturbing?” Li sat on the modest sofa in the tiny living room with her mother, translating into Baba Malay for Cecilia, the English questions posed by the surveyor. “Yah, whenever train pass, you can feel so strong kejung-kejung! kejung-kejung! But otherwise, this place nice la.” Cecilia replied. Li kept a straight face throughout the interview visit from the surveyor, but could not help but blurt in Suzie’s direction the minute the little girl was old enough to string two words together, “Your grandmother, don’t talk about her la. When you ask her about the train, you know what she said, the train goes kejung-kejung, kejung-kejung. Ah, that’s your grandmother for you.” At age two, Suzie’s wide eyes spanned the face of her mother. It was a beautiful face that Suzie had the privilege of peering at everyday.

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Oxtail soup, Asian light

Oxtail soup, Asian light.
Text & Photo © JE Nilsson & CM Cordeiro 2020

When you´ve lived almost an equal number of years in one part of the globe (Asia) as another (Scandinavia), it comes a point in time when you realize – right, I´ve managed to get some oxtails from the nearby farm, super! Now what and how to do with them? And that question is legit because I found myself standing over the kitchen counter, staring at the oxtails unwrapped from their paper package, with at least 3 recipes in mind. Coupled with recipe juggling, I wondered who in the family was going to enjoy which version the most. The go-to recipe in Scandinavia is based on the classic French style, using tomato puree, root vegetables such as carrots, celery and herbs such as thyme, bay leaf, parsley, then topping it off with some port/sherry. You have the Eastern European recipe sans tomato puree but using chopped tomatoes, potatoes, leeks and ground allspice. “I’m bored with my cooking. You come up with something.” was the feedback. When in Scandinavia, that meant, go as Far East as your recipe books take you, and see what inspiration you can find.

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Telegrafbukta, Tromsø, Northern Norway

Telegrafbukta / Telegraph Bay, Tromsø, Northern Norway.
Text & Photo © JE Nilsson & CM Cordeiro 2020

Telegrafbukta was one of the first places I visited when I landed in Tromsø. Known as Northern Norway´s Gran Canaria, Telegrafbukta is the choice location of the annual Tromsø Bay Festival, one of Northern Norway´s most popular music festivals. It has also been the case that every time it´s been decided to gather at Telegrafbukta, the weather decided otherwise. Windy and icy-cold, it gets difficult to hold a coherent conversation when your teeth literally chatter.

Short walk by the beach at Telegrafbukta. Beautiful when warm, but when it gets clouded over and it´s windy, it is cold.

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Lapis lazuli to steel grey, Tromsø, Northern Norway

Spring in Tromsø, Northern Norway.
Text & Photo © JE Nilsson & CM Cordeiro 2020

When I moved to Tromsø just over a year ago, it challenged the notion I had that tropical Singapore was the only place where you could have rain in your backyard and sunshine in your front yard. This Arctic island city has minute shifting weather. Clear blue skies one minute and in another, clouded over, threatening ice-cold rain against a background of steel grey.

But I´ll take the moments in time. It´s spring. The lapis lazuli of the ocean hypnotizes.

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20200419 Sunday inspiration in synopsis

Pärlhyacinter or Grape Hyacinth, currently blooming in the garden along the Swedish west coast.
Text & Photo © JE Nilsson & CM Cordeiro 2020

Sights and sounds from the west coast of Sweden inspire me. The calm and still of the ocean in the early hours of the day, the call of the sea gulls and the smell sea water lightly salted. While Tromsø is slowly thawing into spring, the west coast of Sweden at the southern archipelago of Gothenburg is in spring bloom. These flowers, the purple pärlhyacinter and the Russian blue star are in full flourish in archipelago home gardens. They´re beautiful. In Sweden, a signature sight in early spring are park gardens carpeted in these little blue flowers. Tromsø will have its flowers in bloom too, albeit just a little later.

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20200413 April snow, Tromsø, Northern Norway

In April snow, Tromsø, Northern Norway.
Text & Photo © JE Nilsson & CM Cordeiro 2020

From the pages of Ken Wilber´s One Taste [1]:

“As the Witness, I-I do not move through time, time moves through me. Just as clouds float through the sky, time floats through the open space of my primordial awareness, and I-I remain untouched by time and space and their complaints. Eternity does not mean living forever in time—a rather horrible notion—but living in the timeless moment, prior to time and its turmoils altogether. Likewise, infinity does not mean a really big space, it means completely spaceless. As the Witness, I-I am spaceless; as the Witness, I-I am timeless. I-I live in eternity and inhabit infinity, simply because the Witness is free of time and space. And that is why I can drink vodka in New York and get drunk in L.A.

So this morning I went jogging, and nothing moved at all, except the scenery in the movie of my life. (p.68)

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Eggshell blue and spring florals in a dress, Easter 2020

In a pencil dress by Zara. Loving the eggshell blue and light florals that reflect spring in this dress. Violet sunglasses are Gucci. The velvet purple belt is a vintage purchase from a second hand boutique here in Tromsø, Northern Norway.
Text & Photo © JE Nilsson & CM Cordeiro 2020

In the early 2000s, I was obsessed with all things fashion and fashionable. From nail polish colours (only Chanel) to skirts, dresses, shoes and bags (only Louis Vuitton), I wanted to know and own the latest. It was a period in my life where I thought next week´s store items were outdated, and there is no such thing as one too many pairs of stilettos. I mean, nude doesn´t go with everything right? Reading some comments to my fashion blog posts from the early 2000s, “bimbotic” didn´t even bother me for the reason, I liked it.

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Hemgjord leverpastej and pâté de campagne

A Swedish hemgjord leverpastej [1] is a rich spreadable pâté that complements most festive tables in Sweden from Christmas to Easter. Here, it´s served with cumberland sauce and French cornichons.
Text & Photo © JE Nilsson & CM Cordeiro 2020

In the midst of my 2019 Christmas marketing in Gothenburg city´s oldest market place, Saluhallen, I picked up by chance, the most wonderful rustic/country pâté made with the livers of duck, chicken and pork. The terrine that sat on the market counter simply read “3 Confit – Duck, Chicken, Pork” and it looked like a fine spreadable pâté. We bought some, took it home for our Christmas table and it was such a treat that I went back to Saluhallen, determined to wrap some to bring with me to Northern Norway for after the New Year´s. But there was none to be had, with the reason given by the charcuterie, “That is a very special dish, we only order it for Christmas.”

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