Entrance to the Sanderson, picture by Morgans Group LLC, from the Sanderson.
JE and myself had the privilege of staying at the Sanderson hotel in London when we were there earlier this year.
Upon entering the hotel
The Sanderson opened on 25 April 2000 and after a great success of St. Martins Lane, Ian Schrager again teamed up with Philippe Starck to create, what to me is a fairly eccentric hotel with an ecclectic mix of too much money and not knowing what to do with it, although they have phrased it rather differently in this article. A quote from the article:
In a world where style is knocked off and mass-marketed at the speed of light, Schrager is keeping alive those most endangered of artistic species: experimentation, risk-taking, innovation and originality. Sanderson is all about charm, poetry, excess, glamour and elegance. It is an ironic combination – a balancing act – between extravagance and simplicity.
While I do agree on the originality of the idea of the design at the Sanderson, the “balancing act” as mentioned above, came across as none too well executed since the putting together of the pieces of art / furniture came across more as an indecision than statement purposeful.
The lobby at the Sanderson, picture by Morgans Group LLC.
The ’60s murals and mosaics clashed specifically with the enormous and out of place Louis XV armoire. Set that right next to the African chair, an etched Venetian mirror and you hardly get sophisticated but rather, confused. Something that is most definitely difficult to categorize and impossible to define. One could almost get a headache out of looking at all the fantastic furnishings that would have indeed cost quite a bit to procure.
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