Lambrini Theodossiou, Togora, Passion för Mat 2013-2017

Lambrini Theodossiou at Passion för Mat 2017

The lady with the brightest of smiles! Lambrini Theodossiou, producer of Togora olive oil.
Text & Photo © JE Nilsson, CM Cordeiro 2017

Togora olive oil is still one of my favourite olive oils. And this lady, with the brightest of smiles is certainly one of the rare souls that bring warmth to this trade fair. Continue reading “Lambrini Theodossiou, Togora, Passion för Mat 2013-2017”

Torggummans Ägg, Passion för Mat 2014-2017

Passion för Mat 2017

The chickens that laid these eggs have a mandatory company rule to follow – they must spend half of their time in a year roaming free, outdoors.
Text & Photo © JE Nilsson, CM Cordeiro E Jacobsson 2017

Fettisdagen is just about two days away, which means, a long way to Easter yet. Still, these eggs sitting so happy in the basket as they were couldn’t help but make me put shades of striped pastels and polka dots on them in view of Easter. Continue reading “Torggummans Ägg, Passion för Mat 2014-2017”

Modeling a Heideggerian Valentine’s

Roses, also in Karen Millen for Valentine’s 2017.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2017

For philosopher Martin Heidegger (1889-1976), human capacity to think cannot be the most central quality of being, since the very act of thinking is in itself but a reflection of what in essence is. For Heidegger, the human being is intrinsically structured by Time and our relationship with Time [1]. Human beings are in essence existing at the edge of possibilities-for-being. If considered in that light, humans tend to exist in a mode of constant intersubjectivity [2], between tending to the pressures of the external world and of other minds, and of themselves experiencing tending to the external world and other minds. In my view, the essence of Heideggerian philosophy resonates much with J.A. Wheeler’s one particle theory, and Werner Heisenberg’s uncertainty principle. And it is this constant play of intersubjectivity in Heideggerian perspective, that forms the spacetime fabric of the possibilities-of-being.

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Ayutthaya, the coastal-hinterland kingdom of Siam 1351-1767

Wat Phra Si Sanphet, Ayutthaya, Thailand.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2017

In the swelter of the tropical heat, I stood watching two women carefully position themselves by a banana tree. Placing their arms around the clusters of unripened bananas growing low tipped with a blossom, they readied themselves for a wefie. “Are you Thai?” came the high-pitched holler in my direction from the lady sitting behind the ticketing booth at the entrance of an ancient-modern park in Ayutthaya. I turned to look at her, my expression blank. “Are you Thai?” she repeated. Within two seconds of capturing my continued state of lack of expression, “Fifty baht please!”, was the clubbed reply to the final, full entrance fee to be paid. I stepped up to the ticketing booth and handed over fifty baht and thanked her. It seemed almost everywhere I went in Bangkok, Thailand, people thought I was Thai, except on the occasions of paying for entrance fees.

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The Swedish semla, an evolving culinary semiosis

A Swedish semla, a creamy marzipan filled cardamom bun, topped with…more cream.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2017

I was halfway to the grocery shop located on Donsö, the adjacent island to Styrsö connected by a bridge. Propped unglamorously on a flakmoped huddling from the Nordic winds in clashing block colours of a black puffer jacket, a cobalt boy’s soft-shell ski pants and a Christmas red pair of Timberland gloves that did nothing to protect my fingers from the winds that swept right through its thermal threads, I peeked from under the fringes of my furred hat to view the coastal outlines of the island. To my left, as the flakmoped sped past the beach at a cool 8 km/h, I saw that the tides were low. The sea was lightly frozen over, the movement of the breaking of the waves over seaweed just before hitting rounded pebbles captured in an instantaneous frame of time. A murder of crows were merrily pecking away at the seabed, seemingly oblivious to the wintry temperatures.

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The little chocolate shop, Kronhusgården, Göteborg 2016

Inside the little shop Göteborgs Choklad & Karamellfabrik, 2016.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

Part of the fun of the winter’s festive season in Sweden, is to make time to visit the various Christmas markets. Located in a corner of Kronhusgården at Kronhuset, the city of Gothenburg’s oldest secular building designed by royal architect Simon de la Vallée and built from 1643 to 1654, sits Gothenburg’s Chocolate and Caramel Factory. It’s the kind of a small chocolate shop that reminds me of some scenes described in Enid Blyton’s stories that I read from when I was a little girl. With old fashioned wallpapers and the numerous clocks that adorn the wall, this shop is a little magic come winter evenings. Place chocolate concoctions of different sorts in the middle of it all and you have a place that even I might find difficult to walk out of even after acquiring what I want packaged and bowed in a brown paper bag. Continue reading “The little chocolate shop, Kronhusgården, Göteborg 2016”

Tjolöholm Christmas 2016

At Tjolöholm Castle for a Swedish yuletide table sitting, 2016.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

“Upon first reading A Christmas Carol there appears little evidence of anxiety. The protagonist, Ebenezer Scrooge would seem to be the least anxious person imaginable. A belligerent, spiteful man, he seems strikingly sure of himself. However, a closer reading of the text from an existential standpoint shows that this is hardly the case. Scrooge, from the outset, is a cold, nasty and mean-spirited character. As the story opens, he turns down his nephew’s invitation to Christmas dinner; begrudges his clerk’s only holiday in the year; refuses to contribute to charity; frightens a carol singer; and violently claims that “every idiot who goes about with ‘Merry Christmas’ on his lips should be boiled with his own pudding, and buried with a stake of holly through his heart” (48). Where is anxiety to be found in such a stance? Everywhere, I suggest.” [1:744]

A Christmas Carol is a story I grew up with, having first watched Walt Disney’s version Mickey’s Christmas Carol in 1983. The Charles Dickens read came later. A characteristic of narratives by Dickens is how I’ve found to be able to revisit protagonists and characters presented in his novels from various perspectives. Continue reading “Tjolöholm Christmas 2016”

Gravad lax Christmas tradition 2016

Regardless of how inventive and creative we usually feel during the year, come Christmas and long evenings while approaching the winter solstice in Sweden, you start wanting those old-fashioned dishes. There is something comforting with the very routines in the traditional preparations that you for sure know goes back into the earliest recesses of Nordic history. You can almost see the Vikings sitting in the long boats out at sea, sharing a piece of pickled (gravad) salmon and saying things like -Pass the Mjöd, Sven … and, well, who wouldn’t have wanted to be there with them on their way to pursue their peaceful trading traditions of olden days.

Dill, an essential to gravad lax.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

The recipe is very simple. One part salt and one part sugar and an handful of chopped up dill. Put under pressure for a couple of days. Done. Traditionally a 6lbs canon ball is fine. Continue reading “Gravad lax Christmas tradition 2016”

Lussestjärna, Lucia in Sweden 2016

A Lussestjärna to Lucia day in Sweden 2016.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

It occurred to me that I was much more enthusiastic last year about lussekatter and had by end of November 2015, already baked a batch in their traditional shapes. This year, I am rather, on the day itself for baking Lucia saffron buns, though keeping my sight pegged a little farther ahead in the week. In seven days on 21 December at 10:44 UTC, the winter solstice will be here and so the globe turns. It’s something I’m looking forward to, and thought to celebrate the day of St. Lucia in Sweden, with a traditional saffron bun, baked in the shape of a star.

While I do have a favourite recipe for a saffron bun that doesn’t dry out too soon over the counter, this time around, I followed a recipe from a cookbook that called for adding the butter and saffron mixture after the dough had risen once over. It was labelled ‘grandmother’s lussekatter recipe’, I trusted it. The striations are done by first placing four pieces of thinly rolled dough in disk shape over each other, where the layers (stacked like pancakes) are buttered and dusted over with cocoa power in between. Nutella will work beautifully here too. Continue reading “Lussestjärna, Lucia in Sweden 2016”