Photo © CM Cordeiro 2013
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Bitter orange peel gingerbread cookies
Gingerbread cookies with bitter orange peel, just because.
Text and Photo © CM Cordeiro 2013
I was over at a friend’s place recently, where in Sweden, gingerbread cookies make an abundance of appearance at coffee tables in various shapes during this time of year. Most store-bought gingerbread cookies are made with the basic ingredients of flour, sugar, syrup and spices, where they are generally a tad too sharp in sweetness for my liking, the reason why the ones served at the table on this occasion at my friend’s place intrigued.
The cookies were lighter in colour and more voluminous than the standard dark gold, thin flats of gingerbread cookies bought off the shelves at the grocery stores. And they tasted, different. I enquired after their source and her lighthearted answer was that they came from an artisan bakery shop just down the street where she lived, and no, they didn’t come off the shelf from the grocery store, her eyes just barely flinting in horror.
A Christmas table at the old Swedish East India wharf, 2012
In the old Swedish East India Company wharf that is today, Sjömagasinet.
Text and Photo © JE Nilsson, D Neikter Nilsson and CM Cordeiro 2012
This spacious wooden log house that today houses the restaurant, Sjömagasinet, was once a wharf belonging to the Swedish East India Company (1731-1813). The restaurant has in the past years seen a change of hands between Guide Michelin Chefs, from Leif Mannerström to Ulf Wagner, where no doubt, the personalities of each at the helm comes right through to the dining experience.
What Wagner has done with this Christmas table is to challenge the very idea of which traditional Swedish foods make it to the julbord and how those dishes were presented, up to and including making a symphonic combination of tastes in sections of food. So as long as you stayed within the same general area at the table, any dish within arm’s reach would complement each other in flavour. As such, self-serving guests would not ruin their own meals unsuspectingly by adding something out of the place to their selection. How the complementing and sophisticated flavours from the various dishes could be blended over from one dish to another within reach was one of the remarkable features of this Christmas Table.
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Santa Lucia saffron bread, Sweden
Santa Lucia saffron bread / buns or as the Swedes call them, Lussekatter.
Text and Photo © JE Nilsson and CM Cordeiro 2012
In Sweden the 13th of december is called the night of Lucia. The name is connected to the Sicilian saint of St Lucia through the Catholic past of Sweden however the actual celebration itself is that of the longest night of the year, the antipode of the Midsummer Night celebration.
In its Nordic context it was thought that this, the longest and darkest night of the year was filled with so many spirits and generally unholy workings that one had better stay awake. And to this end, till this day the night is often spent partying and in the morning, white clad girls with candles in their hair with friends visit teachers and elderly relatives. The girls with the candles in their hair signify the coming of light and the lengthening of the days again till Midsummer’s.
Today, Swedes around the world delight in celebrating Lucia on 13th December with song and dance, much like Christmas caroling in churches of the Roman Catholic faith. A beauty contest of sorts to find the year’s “Santa Lucia” queen often begins in early December across various regions of Sweden, a girl who heads the choir specifically for this celebration, crowned with a ring of lit candles on her head.
On the culinary front, a golden yellow saffron bread with the most delicate of aromas, made out in various shapes familiar to Nordic folklore is baked for this occasion, one where I find difficult to resist not in the least because of its aroma or colour, but in its lightest of texture of breads dotted with raisins.
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Dark ginger orange stollen
Dark ginger orange stollen – a variation of the Swedish julbröd or vörtbröd.
Text and Photo © CM Cordeiro 2012
Stollens are one of my favourite festive foods at year end, together with the British inherited version of dark brandied fruitcake / fruit pudding mainly because I find so exotic and comforting at the same time, the blend of flavours from the butter, the spices and dried fruits.
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The beckoning of the Nordic Advent
Fruitcake, to be soaked at will with any liquor of choice.
Text and Photo © JE Nilsson and CM Cordeiro 2012
Even before this Advent weekend in Sweden, the long winter nights in the Nordic sphere had already beckoned people to put up their Christmas lights by the window, soon to be complemented by shiny tinsel Christmas decorations indoors. Out in the streets, Christmas lights adorn walkways and street lamps in anticipation for the Swedish Christmas markets to open their doors or rather, unfold their outdoor stalls.
As traditional Christmas food comes in numerous dishes, I thought I’d begin this festive season early with items I liked most. In perfect keeping with my preference for desserts, desserts before mains, desserts instead of mains, I thought I’d begin the culinary festivities with a fruitcake.
Though I seem to like all sorts of fruitcake, from light to dark, crumbly to sticky puddings, in the past several years I’ve come to settle on the preference for a lighter textured fruitcake, sans liquor soaked. But preferences differ and the majority of friends and family who stop by over Christmas seem to love either brandy or cognac soaked versions of the traditional Anglo-Saxon rich, dark fruitcake. What I’ve made here is a variation of the Swedish korinter tårta that is less dense compared to the English fruitcake or Christmas fruit pudding and where the liquor is added prior to baking so that the alcohol burns off and what is left is the taste of the liquor per se.
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At Los Caracoles Casa Bofarull, Barcelona, Spain
At Casa Bofarull, Los Caracoles Barcelona, Spain.
Text and Photo © JE Nilsson and CM Cordeiro 2012
If you hear that this restaurant is a challenge to find, that would be an accurate observation, especially if you don’t turn at just that left exit along La Rambla that leads you minutes down the lane to the restaurant, when walking from Plaça de Catalunya towards Rambla del Mar, but instead navigate from within the Gothic quarters of the city, or elsewhere.
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The tranquil at W Singapore, Sentosa Cove, Singapore
At W Singapore, Sentosa Cove.
W Hotels Worldwide are known for their luxurious interiors.
Text and Photo © JE Nilsson and CM Cordeiro 2012
Having grown up in Singapore, I’ve had the opportunity to observe Sentosa transform from a relatively quiet and exotic city getaway with accessible beaches that you could drive up to, park and picnic if you so wished, to one filled with attractions today such as Universal Studios alongside Resorts World that have both locals and visitors gather by the hundreds over the weekends for some fun.
This time my curiosity was piqued about the American W Hotels Worldwide’s newly opened W Singapore hotel and residences located at Sentosa Cove. A place targeted as part of the Singapore government’s efforts at building exclusive residential areas, this one in particular being currently the only seaside marina residential area in Singapore.
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Durian Cake, Singapore
Durian Cake.
Text and Photo © CM Cordeiro 2012
Part of my culinary adventures is to combine bits and pieces of knowledge and inspirations picked up from one context and transfer that to a different context, in anticipation of the results. Besides which, I didn’t think I could get away being back in Singapore without cooking or baking with the family.
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Catalunya Singapore, a touch of Barcelona, Spain at the waterfront
At Catalunya Singapore, The Fullerton Pavilion at Collyer Quay, Singapore.
Text and Photo © CM Cordeiro 2012
If it were not for a kind Samaritan I met along the way who pointed out directions to the Fullerton Pavilion in Singapore, I would have taken much more time before landing at the day’s lunch venue – Catalunya Singapore.
Coming in from the scorch of the mid-day tropical sun, it took a few seconds for the eyes to adjust to the dimmer interior of the bar and restaurant, though the line of sight didn’t need to venture farther than the reception to find a touch of Gaudí’s influence in the gleaming white broken mosaic pieces that clung to the columns of the dining interior. This influence of Gaudí would also continue, as I found, through the dining experience in the shapes and motifs of the plates and utensils on the table. Not two steps into the place, I was surrounded by individuals who spoke Catalan and Spanish, déjà vu and I felt right back in Barcelona again, and felt right at home.
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