Timelapse of Barcelona by Alexandr Kravtsov. Just beautiful.
As David Bickley wrote, of A.Kravtsov’s 480gb of images:
“What’s even more impressive is what Alexandr went through to make this piece. In his words it took “a broken camera, lost flash drive, near 100 subway rides, 24 000 photos, endless hours of post production and rendering and 480 gigabytes of material.” That’s insane!”
BARCELONA. MOTION TIMELAPSE from Alexandr Kravtsov on Vimeo.
Barcelona is a city that can truly inspire and touch the soul of a visitor. Not in the least because of its education institutions, of which I especially was taken in by IESE, but rather by looking at what is silently said through its culture, art and architecture.
Antonio Gaudí is one of the many geniuses of Catalonian descent that have left their unforgettable imprint on the city. His art speaks loudly, but only to those who can listen with their eyes and peek into each wrought iron entanglement and crack of a mosaic, rearranged to a new meaning.
In this post, a walk-through of Casa Batlló and Casa Milà.
Casa Batlló
There’s a constant stream of people to visit these buidlings, so having some quiet time whilst walking around the conserved apartments is not quite possible. Still something fun to do and worth discovering.
Text & Photo © JE Nilsson, CM Cordeiro 2011-2013
In construction since 1882, La Sagrada Familia Basilica in Barcelona, Spain,
stands as one of Antonio Gaudí’s most influential and inspiring work.
Text & Photo © JE Nilsson, CM Cordeiro 2011-2013
Art by colleagues of the Gothenburg Research Institute (GRI),
School of Business, Economics and Law, University of Gothenburg, Sweden.
Photo © CM Cordeiro 2013
Carved details in the style of Rococo, on a Chinese gold on black lacquer cabinet purchased from China during the 1910s.
The cabinet is of the provenance, Family Sederholm.
Text & Photo © JE Nilsson, CM Cordeiro 2013
The Lamborghini Aventador J (Photo by GT Spirit) at Geneva 2012.
I could die just looking at it.
I cannot wax more lyrical than Sam Smith who wrote in 2011 about his driving experience with what he called a “hellfire sexplosion” of a car that is the Lamborghini Gallardo in his article at Exhaust Notes.
And this year in Geneva 2012, the Lamborghini Aventador J was unveiled.
Lamborghini Aventador J, back.
At 6.5L with 700 horsepower and its V-12 engine untouched from the Aventador LP700-4 – this piece of blinding passion and desire embodied in a deep glowing lava of metal takes creativity in luxury sports cars to completely unchallenged dimensions that makes the future passé.
The Aventador J is a multi-layered construct of contradictions in practicality and design. Open air and without a hard top, the insides of this superfine piece of engineered art is exposed purposefully to all natural elements and an untold number of bugs, as if in challenge to the Gods themselves, since there is also no windshield to its 217-mph top speed. Thus embodied in its very design, the Aventador J literally forces you to live in all out Italian extreme – all or nothing!
As a metaphor for good leadership, I was once told, “It isn’t enough that you own a Lamborghini. You need to know how to drive it!”, the thoughts resonating with Lamboghini’s own “Every weapon needs a Master!”
Indeed.
Sitting with some of my favourite items made by Helen Kainert at her boutique studio, Vävra Keramik that is located just before Marstrand along the Swedish westcoast.
JE Nilsson and CM Cordeiro Nilsson © 2011
Driving along the Swedish westcoast in the area of Kungälv towards Marstrand from Gothenburg, a red house with two flags at its door post with a friendly sign that said ‘pottery works’ loomed large, and we couldn’t help but pull into its sand filled driveway to check-out the creative assortment of ceramic pottery works inside, meeting with owner and artist herself, Helen Kainert.
Continue reading “Swedish west coast inspirations in ceramic form”
At the very, very northernmost point of Denmark is Grenen, the point where the two
seas of Skagerrak and Kattegatt meet. Here you can literary stand with one foot in each sea.
JE Nilsson and CM Cordeiro Nilsson © 2011
In a landscape of muted pastels that continued to appeal even under the grey of the rain clouds hovering above, I felt it was surprisingly heavy and tiring to walk in the shifting sand of the long beach that led up to Grenen. An aspect that might not be immediately apparent when just looking at the famous paintings by Peder Severin Krøyer of the Skagen Painters that have Grenen as a theme, just north of the northernmost fishing village Skagen at the very tip of the Danish peninsula.
Krøyer was probably the most well known of the artists that lived and worked here from the late 1870s until the turn of the century, and it is his paintings too, amongst all Skagen artists, that attract me most. In fact, a reproduction of one of his most famous paintings, Hip Hip Hurra!, of a summer party held in Michael Ancher’s garden in 1884, adorns one of our guest room walls at home. Ancher belonged to Krøyer’s circle of artist friends, though with a different temperament altogether.
Continue reading “In the footsteps of Anna Ancher and Marie Krøyer at Skagen, 2011″
From Castell de Montjuic silent large-calibre guns overlooks the sea and port as well as the metropolis of Barcelona itself. On the west side, stands an ornate memorial to General Francisco Franco. An unintentional but vivid commentary on the history of Spain and Barcelona as good as any history book would offer.
JE Nilsson and CM Cordeiro Nilsson © 2011
The headline pun is, of course a play on the words from the English translation by D. L. Ashliman of the definitive edition of the Grimm’s Kinder- und Hausmärchen (Berlin 1857), tale ‘Snow White’, in which the Queen asks her magical mirror “Mirror, mirror on the wall / Who in the land is fairest of all?” The tale takes a dramatic turn when the mirror tells her an unwanted truth.
In a similar manner, the period around the early 1900’s was extraordinarily volatile when it came to artists and architects communication with the public. Many of the art movements that enriched the early 1900’s in Europe were protests against those in power that for their winnings sake drew the world into war. Various kinds of repression caused new ways of commenting on society to appear.
Continue reading “Miró, Miró on the wall …”
The Mies van der Rohe Pavilion is but a short walk downhill from the Museu Nacional d’Art de Catalunya, or the MNAC. It’s situated at the foot of the Montjuïc hill. The outdoor café outside the Museu Nacional offers a much needed refreshment.
JE Nilsson and CM Cordeiro Nilsson © 2011
Just below the Museu National on Montjuïc, towards the Placa d’Espanya and on its original site lies the newly rebuilt Mies van der Rohe Pavilion, originally the German Pavilion, built for the 1929 world exhibition held here in Barcelona.
The Pavilion is to me, a fundamental architectural monument from a time when the hope towards a unified and better Europe prevailed. Even beyond the field of arts history and architecture, the German architect and designer of the early 20th century, Ludwig Mies Van Der Rohe (1886-1969) was known for his works being some of the most influential of the time. He was one of the founders of modern architecture and a proponent of simplicity of style.
He coined the phrase “less is more” in referring to clarity of shapes and thoughts. So influential were his ideas from the early 1900s that today, these clean lines are visibly noted in the design of just about every current shopping mall or airport in the world. It could even be argued that the very typography of this blog, looking as it does, could be traced back to him.
Because of this, it is a little mind boggling that I found myself in the very building that in architectural form, presented this new ideology to the world, considering too that this was the fruitful result of a flow of ideas between the Russian constructivists, the Bauhaus design school in Berlin and the De Stijl group in the Netherlands, who no doubt also fetched energy and ideas from the modernists here in Barcelona.
Continue reading “Mies van der Rohe Pavilion, in Barcelona, more or less”