Goya geosemiotics in Singapore

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The geosemiotics of Singapore. Towering plastic sculptures in the city’s heartland. Freud, Goya – or both? I would beg to differ on the perspective that Singaporeans have no sense of humour.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2015

They walked as a pair in complete synchrony in rhythm and sway. Finding a seat in the train, they sat comfortably, next to each other. After contemplating the signs hovering above the bright coloured plastic seats of the train for all of three seconds, the older of the two decided to take the seat marked for the disabled. She was after all in the elderly range in the context where she now found herself. The pair gestured animatedly as they talked while they sat for their journey. The younger of the two had at all times in hand a mobile phone where utmost attention was paid. If there was any sort of hierarchy between the pair, it was not much noticeable except that the older seemed to speak much more than the younger. And when the younger was too engrossed with the phone, the older of the two would peer over the younger’s shoulder, inquiring in expression of what it was that made the small screen so interesting to the younger. The younger did not seem to mind this intrusion of space, a normalized behaviour that had by now become an expectation. Continue reading “Goya geosemiotics in Singapore”

BARCELONA

Timelapse of Barcelona by Alexandr Kravtsov. Just beautiful.

As David Bickley wrote, of A.Kravtsov’s 480gb of images:

“What’s even more impressive is what Alexandr went through to make this piece. In his words it took “a broken camera, lost flash drive, near 100 subway rides, 24 000 photos, endless hours of post production and rendering and 480 gigabytes of material.” That’s insane!”

BARCELONA. MOTION TIMELAPSE from Alexandr Kravtsov on Vimeo.

Antonio Gaudí: Casa Batlló and Casa Milà

Barcelona is a city that can truly inspire and touch the soul of a visitor. Not in the least because of its education institutions, of which I especially was taken in by IESE, but rather by looking at what is silently said through its culture, art and architecture.

Antonio Gaudí is one of the many geniuses of Catalonian descent that have left their unforgettable imprint on the city. His art speaks loudly, but only to those who can listen with their eyes and peek into each wrought iron entanglement and crack of a mosaic, rearranged to a new meaning.

In this post, a walk-through of Casa Batlló and Casa Milà.

Casa Batlló

There’s a constant stream of people to visit these buidlings, so having some quiet time whilst walking around the conserved apartments is not quite possible. Still something fun to do and worth discovering.
Text & Photo © JE Nilsson, CM Cordeiro 2011-2013

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The Lamborghini Aventador J, Geneva 2012

The Lamborghini Aventador J (Photo by GT Spirit) at Geneva 2012.
I could die just looking at it.

I cannot wax more lyrical than Sam Smith who wrote in 2011 about his driving experience with what he called a “hellfire sexplosion” of a car that is the Lamborghini Gallardo in his article at Exhaust Notes.

And this year in Geneva 2012, the Lamborghini Aventador J was unveiled.

Lamborghini Aventador J, back.

At 6.5L with 700 horsepower and its V-12 engine untouched from the Aventador LP700-4 – this piece of blinding passion and desire embodied in a deep glowing lava of metal takes creativity in luxury sports cars to completely unchallenged dimensions that makes the future passé.

The Aventador J is a multi-layered construct of contradictions in practicality and design. Open air and without a hard top, the insides of this superfine piece of engineered art is exposed purposefully to all natural elements and an untold number of bugs, as if in challenge to the Gods themselves, since there is also no windshield to its 217-mph top speed. Thus embodied in its very design, the Aventador J literally forces you to live in all out Italian extreme – all or nothing!

As a metaphor for good leadership, I was once told, “It isn’t enough that you own a Lamborghini. You need to know how to drive it!”, the thoughts resonating with Lamboghini’s own “Every weapon needs a Master!”

Indeed.

Swedish west coast inspirations in ceramic form

Cheryl Marie Cordeiro Vävra Keramik II 098

Sitting with some of my favourite items made by Helen Kainert at her boutique studio, Vävra Keramik that is located just before Marstrand along the Swedish westcoast.
JE Nilsson and CM Cordeiro Nilsson © 2011

Driving along the Swedish westcoast in the area of Kungälv towards Marstrand from Gothenburg, a red house with two flags at its door post with a friendly sign that said ‘pottery works’ loomed large, and we couldn’t help but pull into its sand filled driveway to check-out the creative assortment of ceramic pottery works inside, meeting with owner and artist herself, Helen Kainert.
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In the footsteps of Anna Ancher and Marie Krøyer at Skagen, 2011

Cheryl Marie Cordeiro, Skagen 2011

At the very, very northernmost point of Denmark is Grenen, the point where the two
seas of Skagerrak and Kattegatt meet. Here you can literary stand with one foot in each sea.

JE Nilsson and CM Cordeiro Nilsson © 2011

In a landscape of muted pastels that continued to appeal even under the grey of the rain clouds hovering above, I felt it was surprisingly heavy and tiring to walk in the shifting sand of the long beach that led up to Grenen. An aspect that might not be immediately apparent when just looking at the famous paintings by Peder Severin Krøyer of the Skagen Painters that have Grenen as a theme, just north of the northernmost fishing village Skagen at the very tip of the Danish peninsula.

Krøyer was probably the most well known of the artists that lived and worked here from the late 1870s until the turn of the century, and it is his paintings too, amongst all Skagen artists, that attract me most. In fact, a reproduction of one of his most famous paintings, Hip Hip Hurra!, of a summer party held in Michael Ancher’s garden in 1884, adorns one of our guest room walls at home. Ancher belonged to Krøyer’s circle of artist friends, though with a different temperament altogether.
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Miró, Miró on the wall …

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From Castell de Montjuic silent large-calibre guns overlooks the sea and port as well as the metropolis of Barcelona itself. On the west side, stands an ornate memorial to General Francisco Franco. An unintentional but vivid commentary on the history of Spain and Barcelona as good as any history book would offer.
JE Nilsson and CM Cordeiro Nilsson © 2011

The headline pun is, of course a play on the words from the English translation by D. L. Ashliman of the definitive edition of the Grimm’s Kinder- und Hausmärchen (Berlin 1857), tale ‘Snow White’, in which the Queen asks her magical mirror “Mirror, mirror on the wall / Who in the land is fairest of all?” The tale takes a dramatic turn when the mirror tells her an unwanted truth.

In a similar manner, the period around the early 1900’s was extraordinarily volatile when it came to artists and architects communication with the public. Many of the art movements that enriched the early 1900’s in Europe were protests against those in power that for their winnings sake drew the world into war. Various kinds of repression caused new ways of commenting on society to appear.
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