Louis Vuitton Murakami Multicolore Petit Noé blanc – the balance in a new paradigm of luxe and anime

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Louis Vuitton Murakami Multicolore Petit Noé blanc

Louis Vuitton Murakami Multicolore Petit Noé blanc. Datecode: CA1015.
Text & Photo © CM Cordeiro 2014

Of all collaborations Marc Jacobs had done in the past decade till 2013 for Louis Vuitton with Stephen Sprouse, Takashi Murakami , Richard Prince and Yayoi Kusama, the Murakami range remains one of my favourites in terms of the execution of precision chaos in art if there ever was such a thing.

Not particularly attracted by poparstic works per se, what draws me to the Murakami Vuitton range is the result of the unusual synergies between traditional handcrafted work grounded in rich European travel history with all its roundness of sensory experience, and the contrasting surreal ‘flatness’ of animations of a completely different era in pop culture, from Japan. If these two worlds can come together in any sense of classical physics and philosophy, then almost anything else can come to be of other areas of unlikely synergies. And the results are a certain finesse of execution in design that is not symbolically regressive Mad Max grunge that comes across in Sprouse-Vuitton collaborations or Gaudí organic progressive reminiscent that comes across in Kusama.
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Louis Vuitton Trianon Sac de Nuit GM

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Louis Vuitton Trianon Sac de Nuit GM (grande model)
Text & Photo © CM Cordeiro 2014

The first thing you’d notice about this bag is how weighty the canvas and sturdy the construct of the bag is for its satchel size, where even in GM, it was clearly meant as something more fashionable heritage narrative than a luggage carry-on.

The Trianon Sac De Nuit was created and produced in limited edition in conjunction with the celebration of Louis Vuitton’s 150th anniversary, paying tribute to Vuitton’s early days of 1854 – 1892, when Vuitton began selling light weight flat-topped trunks covered with their signature grey Trianon canvas. Prior to Vuitton’s flat-topped trunks, most trunks for travelling had rounded tops so that water would run off, the disadvantage being that they could not be stacked. It was Vuitton’s Trianon canvas, airtight flat trunks that allowed stacking with ease, for voyages.
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“Rose Rose I Love You”

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The First of May 2014.
Text & Photo © JE Nilsson, CM Cordeiro 2014

The symbolic flower for the month of May is the Rosa Chinensis or the China Rose, which shares the same name / title to one of my paternal grandfather’s favourite songs, “Rose Rose I Love You”.

That song was first recorded in 1940 by Yao Lee and then by Frankie Laine in 1951 with the lyrics of the latter unrelated to the original.

What I found interesting in Laine’s version is that the song references a girl, possibly named Rose, as a “flower of Malaya”. This reference brought me back to the origins of Clifford Pier in Singapore, built between 1927 and 1933 and named after Sir Hugh Clifford, Governor of the Straits Settlements at the time. The pier was one of the busiest embarkation and disembarkation points in Singapore that belonged to the Straits Settlements Crown Colony during the early 1900s, from immigrants to the trading of goods. That Customs House at Collyer Quay stands in close proximity to what was once Clifford Pier today is testament to its history.
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Brian Cox: quantum theory and the universe

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Brian Cox. Transcript on supernova explosions in the distant galaxies and the use of analogies to daily activities such as the baking of bread to explain the Hubble Law. How the use of analogies and metaphors in language can help in the structuring and understanding of a concept for those outside of the discipline of quantum physics.

[16:22]

now these are rare / you get one supernova per century per galaxy / so very rare / but there are a lot of galaxies / and this is a beautiful picture / i think again / from the hubble space telescope
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“Poetry of Science”: discussion between R. Dawkins and N. deGrasse Tyson

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“I will never require you to believe anything” – Tyson

“But Britain is not Europe as we are constantly reminded. That’s right, here we have the English breakfast and the Continental breakfast. That’s very different breakfasts that you can order here.” – Tyson
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The End of Space and Time? by Robbert Dijkgraaf

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Robbert Dijkgraaf’s lecture given at Gresham College in 2012 that focuses on string theory, quantum gravity, and the interface between mathematics and particle physics, bridges ideas from the various disciplines of science and arts, could be said to be have played a pivotal role in influencing the manner in which I saw the Individual in relation to space and time. Dijkgraaf takes on an evolutionary perspective to space and time, that are “near to their end”.

From the transcript of the lecture:

“If you go back in more recent history, for instance, Richard Feynman, the famous particle physicist, he has said that if you really do not know mathematics – and do not be worried, there will not be many equations today – but if you do not really know mathematics, you cannot get across the real feeling of the beauty of nature.”

“Not only did we have this unification of space and time but the next ingredient was that space, the stage, so to say, is not rigid, it is flexible, it can curve, it can shape, and it does so under the influence of energy and mass, and that is the phenomena that we call gravitation. So, anything that carries mass or energy will curve the space and time around and thereby space and time became no longer the stage, but an active player in the game. Space and time are something which has physical properties and a future in physical laws, and in fact, it is the influence of this curvature that describes the motion of particles under the influence of gravity.”

“I think the evolving universe, the Big Bang, is part of our culture, and in fact, these images and the discoveries that are made are getting more and more exact and precise. We are living in the age of precision cosmology,…”

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Louis Vuitton Monogram Manhattan PM

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Louis Vuitton Monogram Manhattan PM.
Text & Photo © CM Cordeiro-Nilsson 2014

I generally dislike totes. Personally, the very purpose of carrying a bag at all is to be able to go hands-free of carrying the goods, either by slinging it over the shoulder or in rucksack fashion, carrying the goods weighted on your back square between the shoulder blades.

But there are always exceptions.

The Louis Vuitton Monogram Manhattan PM is one such exception. Continue reading “Louis Vuitton Monogram Manhattan PM” →

The Hadza and the Swedes: leadership, social governance and sustainability; an unlikely comparison

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Cheryl-Marie-Cordeiro-by-Alen-Cordic-2012-158This article contains reflections at the intersection of several disciplines under Management & Organization that include leadership, organizational evolution, governance systems and sustainability. The background literature broadly follows from studies in the fields of Swedish management / leadership [1, 2], human nature [3, 6] and organizational evolution [4, 5]. An unlikely comparison of societal organizational characteristics is drawn between these two highly different social systems, the Hadza and the Swedes. The ideas are in contemplation towards a search for a congruent management of social structures that bridge the levels of socio-economic and political realities.
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Sustainable, a word with many meanings

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Stockholm Strömmen

Stockholm Strömmen.
Stockholm is one of Europe’s five fastest growing cities and is the first European Green Capital 2010.
Text & Photo © JE Nilsson, CM Cordeiro 2014

Many years ago I watched a man restore an antique wooden door. He had first carefully sanded it down to its original paint layer, til it was soft enough to run your hand over it, til you could feel the warmth of the wood at its core. To get the door to match the rest of the interior of the house, he then began by adding a thin layer of linseed oil. Each brush stroke was carefully calculated in pressure, length and weight.

I soon realized that he carried with him a tacit knowledge that not many others had. But more than tacit knowledge was also a genuine interest in what he was doing. He breathed life back into an antique door that most others would have thrown away and replaced with a brand new one from Bauhaus. He worked with undivided attention and as I watched, I pondered who else would ever come to appreciate the efforts? What came through clearly was that the care he put into that antique door was also a personality trait that you could see run through almost all other things he did.

I realized that this door might well outlive us both, at the cost of some linseed oil.
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