Cushions on the ceiling

Restaurant Familjen in Gothenburg

Restaurant Familjen in Gothenburg, Sweden.
Photos © CM Cordeiro 2011

I confess, I love space and clean, free straight lines that invite your eyes to peruse and absorb the dimensions of the room the minute you step into it. At Restaurant Familjen in Gothenburg, it was more a full-stop when entering the door, where you are almost forced to halt your senses the minute you step in, cautious, else you bump into someone immediately in front at the bar, situated just as you enter the restaurant at after five on a Friday.
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Facets of Gothenburg to L*O*V*E …

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A favourite day tour for most visitors is the former health resort and summer paradise in the southern archipelago of Gothenburg.
Photos © JE Nilsson, CM Cordeiro Nilsson and Kevin Cordeiro

This post is coming to you in the early autumn of 2011. The first weeks of September brings a certain cooling of the climate even in southern Sweden, where the light in the days get more mellow, casting long shadows as you walk the streets in the evenings. You might still find warm days to come but days with fully brilliant sunshine tinted crystal blue and gold is something that is typical in Sweden in high summer.
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Swedish west coast Harbour Festival, Donsö 2011

Cheryl Marie Cordeiro, Donsö Hamnfest 2011.

The perfect weekend thing to do – picking up both old and new finds at the annual Donsö Harbour Festival in the Swedish west coast archipelago of Gothenburg.
Photos JE Nilsson and CM Cordeiro Nilsson © 2011

There’s a distinct feel in the air in the past week that the summer that has lingered through the months of July and now August, is beginning to wind down. Though the air is still warm, there’s a chill in the evening breeze that indicate the cold weather that is to come from end of November, carrying on with the months thereafter.

So what better time of the year than right now to celebrate with a little Harbour Festival at Donsö, in the Southern Archipelago of Gothenburg?

Just about 16 km south of the city of Gothenburg, Donsö is one of the larger islands. With its about 1,500 inhabitants, Donsö is a lively community with a bustling business of shipping and ship owning and whatever services else needed to keep a modern business community going. While it is today a part of the Gothenburg municipality of Sweden, until 1974 it was a municipality of its own together with Styrsö and the neighboring islands in the archipelago.
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Swedish west coast inspirations in ceramic form

Cheryl Marie Cordeiro Vävra Keramik II 098

Sitting with some of my favourite items made by Helen Kainert at her boutique studio, Vävra Keramik that is located just before Marstrand along the Swedish westcoast.
JE Nilsson and CM Cordeiro Nilsson © 2011

Driving along the Swedish westcoast in the area of Kungälv towards Marstrand from Gothenburg, a red house with two flags at its door post with a friendly sign that said ‘pottery works’ loomed large, and we couldn’t help but pull into its sand filled driveway to check-out the creative assortment of ceramic pottery works inside, meeting with owner and artist herself, Helen Kainert.
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In the footsteps of Anna Ancher and Marie Krøyer at Skagen, 2011

Cheryl Marie Cordeiro, Skagen 2011

At the very, very northernmost point of Denmark is Grenen, the point where the two
seas of Skagerrak and Kattegatt meet. Here you can literary stand with one foot in each sea.

JE Nilsson and CM Cordeiro Nilsson © 2011

In a landscape of muted pastels that continued to appeal even under the grey of the rain clouds hovering above, I felt it was surprisingly heavy and tiring to walk in the shifting sand of the long beach that led up to Grenen. An aspect that might not be immediately apparent when just looking at the famous paintings by Peder Severin Krøyer of the Skagen Painters that have Grenen as a theme, just north of the northernmost fishing village Skagen at the very tip of the Danish peninsula.

Krøyer was probably the most well known of the artists that lived and worked here from the late 1870s until the turn of the century, and it is his paintings too, amongst all Skagen artists, that attract me most. In fact, a reproduction of one of his most famous paintings, Hip Hip Hurra!, of a summer party held in Michael Ancher’s garden in 1884, adorns one of our guest room walls at home. Ancher belonged to Krøyer’s circle of artist friends, though with a different temperament altogether.
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Enoteca de Paco Pérez, Hotel Arts Barcelona

Cheryl Marie Cordeiro, Enoteca, Hotel Arts, Barcelona, Spain.

Contemplating art in culinary form, through the Mediterranean perspective of Chef Paco Pérez at Enoteca, Hotel Arts Barcelona.
JE Nilsson and CM Cordeiro Nilsson © 2011

I think Spain is one of the places where you should go today, to refresh the eyes with aspects of art, design and architecture that are cutting edge creative and new.

In the 1910-20s Spain and Barcelona were part of the movement that invented modernism, but when you visit Barcelona today, you realize that they didn’t stop there. They just went on, turning and twisting every rock they met on the road of human artistic expressions. This progression of ideas is most visible in architecture and unexpectedly, in modern culinary art.

It is also obvious that while being sat on by suffocatingly conservative forces like Generalissimo Franco and his likes for the best part of the 20th century, this vital people never stopped expressing themselves and just found new ways of doing exactly what they wanted anyway.

And while contemplating your impressions of the city of Picasso, Miro, Gaudi and Dali I can suggest no better place to sit down and enjoy an avant garde meal, building on these very traditions, than at the Enoteka de Paco Pérez at Hotel Arts in Barcelona.

Maybe enoteca is not an ideal name of the restaurant run by the El Bulli trained chef Paco Pérez, but wine is certainly an important part of the experience.

Enoteca carries the meaning of a “wine library” or a wine bar where you can try out wines by the glass, and of course the Enoteka de Paco Pérez at Hotel Arts is a little bit beyond that.

The cooking is brilliant but bordering to eccentric and somehow you sense the influences from all the artists that has made Barcelona famous. Personally I would also like to say that this is not where I would bring my friends for a dinner without asking them first what they would want from a night out.

Barcelona is so full of very good tapas bars and rustic Catalonian eateries that a restaurant that might in fact have picked up plenty of inspiration from the surrealist painter Salvador Dalí, might not be a first on your Barcelona bucket list.

The ambiance also adds to the overall experience. This library of wines is reflected in the design of the place. Stacks of bottles of wines replace library books in black shelves that cover the walls.

Enoteca, Hotel Arts, Barcelona.

If you feel like you would like to try this out, the Barcelonians who also frequent this place, like to dine late, so as a jet-lagged tourist you would actually find yourself happily first in the cue in a more or less empty restaurant.

Enoteca, interior.

The dark wood and dim orange tint from the lighting of the interior of the restaurant gives a feeling of being swept away into your very own corner of the world, a comfortable cocoon of space and time, where in the next couple of hours, you’re left to explore at will, any culinary whim and fancy that the restaurant can offer!

With so much passion and wide eyed wonder at what goes on in the kitchen as was explained to us during our sitting, it was difficult for us to keep a cool front and not bounce from our table straight into the kitchen to get a glimpse first hand on how all of this was orchestrated.

Our pictures are in no way representative of what an evening here can offer but just a few random samples we don’t mind sharing.

Enoteca Tasting Menu I.

Some bread, just for a start.

Enoteca Tasting Menu II.

Besides that the presentations of the dishes were on the whole different and ingeniously combined for each dish, the ambition was as I see it, focused on bringing out the inner soul of fairly common ingredients and actually surprise you with what things you thought you knew could actually taste like.

Enoteca, wines.

The dining experience was softly overseen by your personal sommelier who suggested different wines throughout the dinner that in various ways enhanced or changed how the different dishes came out.

Enoteca Tasting Menu III.

The menu offered many opportunities to get a glimpse of what Paco Pérez’s creative directorship and artistry in the kitchen could create.

Enoteca Tasting Menu IV.

If you care to ask anyone of the friendly staff, that probably had marveled at the same thing as you did, you might find them well prepared to explain what went on in the kitchen, how each dish was put together and the techniques behind the making and presenting of the food.

Enoteca Tasting Menu V.

A dinner here takes time, interest and a sense of humour. Why humour you might say, well, ultimately food is there to be enjoyed and sometimes maybe the imaginative efforts of this extraordinary kitchen is stretched just a tiny bit too hard. The food is good, it really is good, but hey – come on – some of the dishes are there just to make you smile.

To come up with a single recommendation regarding Enoteca de Paco Pérez, I can do no better than to suggest to take the evening off and dine with the broadest of mindsets, expecting the unexpected. Sit back and enjoy the ride from beginning to end and focus on selecting your favourite wines together with the amicable help of the restaurant’s sommelier.

“Una xocolata calenta si us plau”

Cheryl Marie Cordeiro at the Museu de la Xocolata, Barcelona, Spain.

At the Chocolate Museum, just outside the kitchen where the museum holds classes on chocolate confection.
JE Nilsson and CM Cordeiro Nilsson © 2011

Although Spain’s connection with Mexico in the 1500s means that cacao beans and chocolate would be as native to Spain as coconuts and pineapples are to Singapore, I must say that it still took some doing exploring the numerous cafés in Barcelona, before I settled for a favourite place of mine that served my cup of hot chocolate with an added shot of espresso in it!

If you’re a chocolate lover like me, then perhaps nobody can stop you from immediately hitting any café in sight as soon as you get off the plane in Barcelona for a cup of Spanish hot chocolate. At least, that’s what happened to me.

But with that done I brusquely encountered a cultural difference of what a cup of hot chocolate laced with espresso is in Spain.
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Miró, Miró on the wall …

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From Castell de Montjuic silent large-calibre guns overlooks the sea and port as well as the metropolis of Barcelona itself. On the west side, stands an ornate memorial to General Francisco Franco. An unintentional but vivid commentary on the history of Spain and Barcelona as good as any history book would offer.
JE Nilsson and CM Cordeiro Nilsson © 2011

The headline pun is, of course a play on the words from the English translation by D. L. Ashliman of the definitive edition of the Grimm’s Kinder- und Hausmärchen (Berlin 1857), tale ‘Snow White’, in which the Queen asks her magical mirror “Mirror, mirror on the wall / Who in the land is fairest of all?” The tale takes a dramatic turn when the mirror tells her an unwanted truth.

In a similar manner, the period around the early 1900’s was extraordinarily volatile when it came to artists and architects communication with the public. Many of the art movements that enriched the early 1900’s in Europe were protests against those in power that for their winnings sake drew the world into war. Various kinds of repression caused new ways of commenting on society to appear.
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Mies van der Rohe Pavilion, in Barcelona, more or less

Museu Nacional d'Art de Catalunya, Barcelona, Spain.

The Mies van der Rohe Pavilion is but a short walk downhill from the Museu Nacional d’Art de Catalunya, or the MNAC. It’s situated at the foot of the Montjuïc hill. The outdoor café outside the Museu Nacional offers a much needed refreshment.
JE Nilsson and CM Cordeiro Nilsson © 2011

Just below the Museu National on Montjuïc, towards the Placa d’Espanya and on its original site lies the newly rebuilt Mies van der Rohe Pavilion, originally the German Pavilion, built for the 1929 world exhibition held here in Barcelona.

The Pavilion is to me, a fundamental architectural monument from a time when the hope towards a unified and better Europe prevailed. Even beyond the field of arts history and architecture, the German architect and designer of the early 20th century, Ludwig Mies Van Der Rohe (1886-1969) was known for his works being some of the most influential of the time. He was one of the founders of modern architecture and a proponent of simplicity of style.

He coined the phrase “less is more” in referring to clarity of shapes and thoughts. So influential were his ideas from the early 1900s that today, these clean lines are visibly noted in the design of just about every current shopping mall or airport in the world. It could even be argued that the very typography of this blog, looking as it does, could be traced back to him.

Because of this, it is a little mind boggling that I found myself in the very building that in architectural form, presented this new ideology to the world, considering too that this was the fruitful result of a flow of ideas between the Russian constructivists, the Bauhaus design school in Berlin and the De Stijl group in the Netherlands, who no doubt also fetched energy and ideas from the modernists here in Barcelona.
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Sunset at Montjuïc El Xalet, Barcelona summer of 2011

Dr. Cheryl Marie Cordeiro Nilsson with Irene (Kenya) and Mame (Senegal), IFP 2011 dinner.

IFP 2011 Graduation Dinner, Montjuïc El Xalet.
The IFP 2011, IESE Business School, University of Navarra saw 41 participants from 26 different countries gather in Barcelona for three weeks of intense studies for executive management faculty.

Photo: JE Nilsson and C M Cordeiro-Nilsson © 2011

The last day of the the International Faculty Program (IFP) at the IESE Business School in Barcelona saw the Class of IFP 2011 gathered for a farewell dinner at Montjuïc El Xalet, a restaurant with a picturesque view of the city of Barcelona!

For three weeks I enjoyed the company of some of the world’s most interesting academics and professionals, from more than 26 countries across the globe.

The Class of IFP 2011 had a broad variety of backgrounds even if the syllabus of the program was specifically designed for faculty members of business schools. The course had a distinct focus of IESE’s brand of case studies as a method of teaching and learning in higher education, in particular with MBAs and EMBAs. The lectures and sessions with various cases proved highly motivating and made for numerous memorable learning experiences.
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