Entrecôte a la Suede

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My take on a Swedish meat classic, in Nordic summer’s evening light.
Photo © Jan-Erik Nilsson for CMC 2010

Strangely enough the most common meat dinner in Sweden – at least in the mind of the Swedes themselves – would be a French slice of beef or an entrecôte, with fries on the side. But how did it come to be like this in the land of elks and the Midnight Sun?

Well contrary to Singapore, Sweden does not really have a tradition of eating out on a daily basis. In Singapore one would eat out three times in a day (and then some inbetween) without thinking about it, but in Sweden eating out has always been a little bit of an event where people are more likely than not to dress up a bit and expect something out of the ordinary. The up side of this is that this attitude from bygone days until now had helped create a ready market for gourmet cooking and fine dining, which in turn, had helped skyrocket Swedish culinary art to world fame. 

However in 1954 the ‘French Bistro’ was introduced into the Swedish food scene by Chef Yves Fitoussy at the newly opened restaurant Cassi in Stockholm. Here the open bar kitchen was introduced where steaks could be fried very quickly in front of the guests and served instantly over the counter, and with French Fries – also a novelty at the time – on the side. The impact was tremendous.
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Cufflinks – a perfectly smart finish

Cufflinks in gold and white gold, set with mother of pearl and 2 brilliant cut diamonds, c. 0.10 cts. Stamped GD & Co (G Dahlgren & Co.), Malmö 1940, Sweden. These are to be auctioned this coming weekend, at W.A. Bolin.

In a crowded room to any formal event, one could well sweep over the hall and indulge in the general sight of people well dressed. But as the evening draws on and conversations are engaged, it is most often that one cannot help but notice details in a person’s dress. Women for example, might notice details in men’s dressing such as the colour of his tie as in contrast to his shirt, the cut of his jacket or the pockets on his coat, his tie pin if he’s wearing one and then most interestingly, his cufflinks. Every bit of clothing on a person contains information about personality, and a pair of cufflinks might just well tell if he has a sense of humour. Continue reading “Cufflinks – a perfectly smart finish”

Meeting with Jan Berglin

Today we went to the great Swedish Book Fair, held at Svenska Mässan i Göteborg. There among about one million visitors were indeed a few highlights. At the Kartago Publishing Company’s booth we met with the well known Swedish cartoonist Jan Berglin. He is one of the driest, most academic authors to have ever drawn a comic cartoon. Here is a picture of Jan Berglin at the Kartago Publishing house booth, signing his latest book.

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Funnily enough I think he looks like what he draws.

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JE in queue to meet Jan Berglin. A bright, happy kid is all I see! Pretty much as any eight year old kid queing up to hand over his wishing list to Santa. David, JE’s son who is standing behind JE was also there.

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We couldn’t really help asking about his style, of mixing philosophy and quotations from our traditional literary heritage, with humor. As expected he just smiled and explained

I guess that’s me. I try to put a lid on it but I can’t really help who I am.

I figure that’s the way to do it. Just be yourself.

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Photo by David.

And Berglin’s autograph.

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Size zero and BMI below 18.5

There’s been a hot debate about size zero models and underweight models for some months now. A topic that heated up again with London’s fashion week kicking off earlier this month, as reported in London’s Daily Mail.

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Lily Cole is one of the size zero models today. Picture from London’s Daily Mail.

While I think this debate has done good, I think it’s important for people not to simply jump onto the band wagon with this thought altogether and swing too far out with the pendulum on this debate, without considering the other perspective – those who are genetically thin and underweight, with BMI lower than 18.5.

I say this because I myself speak from a 1.65m frame with a 17 BMI, which is considered way underweight. A search on the internet for “Kate Moss + BMI” will render everything from 15 BMI to 17 BMI. Point is, she is still underweight. But since my BMI is 17, would that not put me in that range and thus under scrutiny and criticism since I do now and again, appear in the media and that would mean that I’m a poor / negative role model for young teenage girls?

Well, I’ve actually put on weight since I was 16 where I was 1.65m and weighed 41 kg. An improvement I would say.

And looking at things from my point of view, I would say this entire debate is unfair to persons such as myself. It lands us in hot water for something that is genetic and it gives society something easy to blame, rather than do that research and publish more on genetic thinness. Now that would cost some institutions a lot of time and money wouldn’t it? So it’s much easier to point to a few prominent research already done and a few models who have died on the catwalks and say – out with size zero, out with being thin!

Besides which, research that goes against the grain most often escape funding. I can imagine the answer and gaffaws from the board of directors of some research institute if I said I had a proposal to prove that being thin is not necessarily unhealthy when every other research points in the opposite direction.

But do I have any health problems? Not thus far. Cholesterol levels and blood sugar levels were healthy at my last annual checkup.

So what’s missing in this debate? I think the word local.
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V&A London – The golden age of couture …

In an article called Modets guldålder i focus, the Swedish newspaper Dagens Nyheter today announced that the Victoria & Albert (V&A) Museum in London will open their exhibition on fifties couture this weekend, entitled “The golden age of couture. Paris and London 1947 – 1957”.

The post war years of the 1950s presented an opportunity for women to get out of the factories and back to their domain of family and home. It was an era that celebrated the woman and her femininity, affording her time and luxury to be beautiful again. One can expect this exhibition to showcase some excellent collections from leading designers of the time and should therefore not be missed. Continue reading “V&A London – The golden age of couture …”

Trust your eyes when buying a diamond

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A light yellow, old cushion cut diamond with a large culet, weighing ca. 1.9 cts.

When I first got interested in diamonds, I started like everyone else on the 5Cs of a diamond – its cut, clarity, colour, carat weight and certificate.

Questions like, which of these Cs are more important if you’re working on a budget was also part of the learning process and a practical question to consider when buying a diamond. And for the longest time, I could not weigh the importance of either of the Cs with each other. I wanted all of them in my stone ranked as high as possible, meaning I wanted best colour, best cut, best clarity, biggest carat and most definitely certified, in the budget!
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Light reflections from a simple blue topaz ring

The main purpose of a diamond or a gemstone is to sparkle. And by doing so, it brings joy not only to its wearer but to those who look at it.

It is no doubt that the harder the consistency of the stone, the more fire and brilliance it exudes, which is why diamonds are the stones with the most fire, followed by cubic zirconia and sapphires.

But here are some pictures I took of a simple blue topaz ring that I used to own, set in filigree platina.

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The pictures were taken in natural daylight. I’m absolutely amazed at how the blue light literally spills out onto its surrounding.

For a simple blue topaz that is cut right, I think this stone performs very well indeed.